The Catcher in the Rye Plot Summary
Readers, the prize catch in The Catcher in the Rye may well be Novelist Salinger himself. He can understand an adolescent mind without displaying one.” –TIME, July 16, 1951. “Holden’s story is told in Holden’s own strange, wonderful language by J. Salinger in an unusually brilliant novel Holden is bewildered. The Catcher in the Rye is the first and only novel by the American author J. This novel tells the story of Holden Caulfield, a problematic teenager who is experiencing a complicated period in his life and is isolated for numerous reasons from other characters in the novel.
The Catcher in the Rye is the story of teenager Holden Caulfield's turbulent last few days before his Christmas vacation. During these days, Holden leaves Pencey Prep, a boys' school he's been kicked out of, and takes off for a few nights alone in New York City. Holden tells the story as a monologue, from some sort of a mental facility where he's recovering from the stress of the experiences he retells.
Holden's tale begins at Pencey, which he despises for its prevailing 'phoniness.' Holden finds a lot of people and attitudes unbearably phony. It's the day of the big Pencey football game, something that Holden has little interest in. In lieu of watching, Holden takes a walk to the house of his history teacher, old Mr. Spencer. This isn't a particularly satisfying visit, nor is his last evening at Pencey, during which he hangs around with a coarse and dull guy named Ackley and later gets beat up by his own roommate, a ladies' man named Stradlater. The idea of Stradlater taking one of Holden's old friends, Jane Gallagher, out on a date, and the thought of suave Stradlater making the moves on his innocent friend drives Holden to his fists. After the fight, Holden decides to get up and leave Pencey immediately. He finishes packing and leaves campus in the middle of the night.
A train takes Holden to New York City, where his family has lived all his life. Here, he checks into the derelict Edmont Hotel, a place that provides him with several adventures including an evening dancing with three dull tourist girls and a clumsy encounter with a prostitute. Holden sends the prostitute away without services rendered, and although he pays her for her time, it's apparently not enough. For this, Holden gets his second pummeling in as many nights, at the hands of Maurice, the hotel's elevator man/pimp.
Holden spends a total of two days in the city, and these days are largely characterized by drunkenness and loneliness. He meets up with an old acquaintance named Carl Luce and has a date with an off-and-on girlfriend, Sally Hayes, but both experiences leave him more miserable than before. Finally, Holden sneaks into his parents' apartment to visit his kid sister Phoebe, who's about the only person he seems to be able to communicate with. After this, Holden feels a little better, and he heads off to the apartment of his ex-English teacher, Mr. Antolini. The comfort Holden hopes to find there is upset when he wakes up in the middle of the night to find Mr. Antolini petting his head in a way that seems 'perverty.'
After this, Holden gets awfully depressed. His distress with the phoniness and stupidity of the world focuses as he spends his last afternoon wandering around the city. What bothers him most is that the world seems to have no sanctuary from the phony or perverse in it anymore--it's a cruel place to grow up. This becomes all the more real for Holden as he wanders around his little sister's school building and keeps finding swear words scribbled on the walls. Holden begins to envision himself as a guardian of children, someone who will protect their innocence. This hope is crystallized in a vision of himself as the catcher in the rye--a sort of guard at the edges of a field where children can run free and play, a guardian who can keep these kids from falling, in their exuberance, over the field's edges.
Though Holden tells his little sister he's going to move out West, this doesn't pan out. Instead, after a little fight with Phoebe, Holden ends up accompanying her to the park and watching as she rides the merry-go-round, stretching from her wooden horse to reach a prized brass ring. As he watches with a combination of fear and joy, Holden seems to have decided that there can be no catcher, that all you can do is hope kids develop in the harsh world on their own.
Holden never does give a thorough assessment of his prognosis since his hospitalization. But if his voice in the novel's last few pages is any indication, his time recovering has left him calmer and with more perspective, but still lonely and without direction.
Although J.D. Salinger has written many short stories, The Catcher in the Rye is Salinger's only novel and his most notable work, earning him great fame and admiration as a writer and sparking many high school students' interest in great literature. The protagonist's adventures and concerns about 'phony' people engage readers young and old.
Catcher In The Ray Symbol Citation
The Catcher In The Rye Quotes
The novel draws on characters and themes that appeared in a number of Salinger's earlier short stories, some of which form the basis for individual chapters in The Catcher in the Rye. Indeed, the Caulfield family is the subject of two of Salinger's major stories, 'This Sandwich Has No Mayonnaise' and 'I'm Crazy,' as well as a number of unpublished works.
The first of these stories, 'This Sandwich Has No Mayonnaise,' is narrated by Vincent Caulfield, who learns that his brother is missing from Pentey Preparatory School (changed to Pencey in the novel). Vincent serves as the basis for D.B. Caulfield, Holden's older brother in the novel, and is the protagonist in a number of stories by Salinger. In 'An Ocean Full of Bowling Balls,' Vincent recalls his relationship with Kenneth, his deceased younger brother (the obvious basis for Allie). This unpublished story also details how Kenneth becomes angry when an adult calls Holden crazy and how Holden complains about hypocritical adults at his summer camp.
The Catcher In The Rye Chapter 1
Other Salinger stories can be read as filling in details left out of The Catcher in the Rye. 'The Last and Best of the Peter Pans,' narrated by Vincent Caulfield, focuses on a conversation between Vincent and his actress mother, Mary Moriarty, concerning a questionnaire from the draft board that she had hidden from Vincent. This conversation ends with a reference to her wanting to keep a child from going over a cliff, a notion that Holden references in The Catcher in the Rye when he discusses his ideal situation with Phoebe. In another story, 'Last Day of the Last Furlough,' Vincent and 'Babe' Gladwaller prepare to go off to World War II. Salinger has Vincent Caulfield die during the war, and 'The Stranger' concerns 'Babe' Gladwaller's attempt to tell Vincent's girlfriend how he died.
The other major short story concerning the Caulfield family is 'I'm Crazy,' the story which forms the basis for the first two chapters of The Catcher in the Rye as well as the chapter in which Holden goes home to see Phoebe. In this story, however, Holden expresses greater regret for his expulsion from Pentey, even lamenting that he will never again play games of football on Saturday evenings with his friends from school. The chapter in which Holden tries to convince Sally to run away with him to New England finds its source in yet another short story, 'Slight Rebellion Off Madison.'
The derivation of The Catcher in the Rye from a series of unrelated short stories--as well as Salinger's affection for the form of the short story--helps explain the pacing and relative lack of narrative continuity in the novel. No setting or character other than Holden continues in the novel for more than two consecutive chapters (which also may be a characteristic feature of Holden’s specific story). Holden, as narrator, is the only continuous character in the entire story. Characters such as Sally Hayes and Mr. Antolini appear only in one chapter and then mostly disappear. The first chapters of the novel, which are all set at Pencey, are the only ones that sustain the same characters and setting for an extended period. Furthermore, since Salinger reiterates thematic elements throughout the novel (in practically every chapter Holden complains about phonies), many of the chapters essentially could be short stories in themselves.